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![]() Kip Manley Posted on March 27, 2005 11:35 PM |
A Nemus Animæ lexicon game.
So, hey: let’s play a lexicon game, while we’re at it. ...a fifteenth-century manuscript in the Bavarian State Library, Clm 849, and in particular the texts on folios 3 through 108 of this manuscript. (The material on the following folios is related in kind and approximately contemporary but in different hands and languages, and evidently not intended as part of the same compilation.) The compiler of this main block of material was evidently German; the appended materials seem to have come from various sources, and one passage contains a formula in Italian. The manuscript is a small one, approximately 8½ inches high and 5¼ inches wide. The description of the manuscript in the published catalogue is nondescript: it appears there as a book of incantations, exorcisms, and sundry betwitchments... The rules are available in Neel Krishnaswami’s entry, linked above. See also this additional write-up, with the all-important Rule of X, the practice of dibsing, and letter-group variants, which might prove useful. —What I’d like to do is use some variation of the basic setup to flesh out Nemus Animæ’s magical library, and, in the process, add a little mystery and glamor to the rather humdrum mechanics of The first two folios of the manuscript are missing, a circumstance which may help to explain how the manuscript evaded detection and survived. (Indeed, it is not uncommon for the first folio of a magical manuscript to be missing.) The 107 folios that remain in the main block (rectifying an error in foliation gives us one extra folio) are devoted primarily to a series of forty-two magical experiments. Interspersed with these are a version of the Liber consecrarium (no. 31); a list of spirits, with descriptions of the forms in which they appear and the functions they perform (no. 34); a manual of astral magic (no. 37); a list of favourable and unfavourable days for writing magical inscriptions (no. 46); and a fragment of a chemical prescription, with a gloss in the German language (no. 47). What I’d like to propose is that four or five of us commit to writing up an entry a week from A to Z, describing books to be found in the Nemus Animæ library. But we wouldn’t be Nemus Animæ magi: rather, we’d each vaguely be bitchy (or enthusiastic!) librarians at Bethelion and Annalum, describing the books for those libraries’ respective (and far more authoritative) catalogs, celebrating (or snarking off on) two or three other books in each entry, as per the rules to a basic lexicon game. (We might ease up on the requirement that we sign our entries, instead putting on personæ and later having some fun figuring out which actual mage must match the voice. It would take forever to parcel out mage-librarians upfront, anyway.) We cannot speak of the writer of this manual as its “author,” because we do not know to what extent he devised the formulations that he gives, or how far he merely reproduced other people’s work. In some cases he deliberately gave alternative forms of demons’ names, which suggests that he was working from a previous manuscript and was unsure of the reading. The writer’s own orthography was highly erratic; within the same experiment he sometimes slipped from one version to another in his names for demons, and while the variations were sometimes slight they were not always so. (At the end of the fifteenth century, Humanist mages such as Johannes Reuchlin protested that the debased magic of contemporary necromancers could have no effect because the very names they used for the spirits were corrupt; the present manuscript might serve as a case in point.) Whether the writer composed badly or copied badly, one constant factor in the manuscript is that its Latin usage is unconventional medieval (let alone classical or Humanist) standards. In one experiment the writer speaks of a “whole white dove” (columbam totam albam) when he means a “totally white dove” (columbam totaliter albam); he writes that a woman “will love all things above you” (super te omnia diliget) when he clearly means the reverse; he confuses “without” (sine) with “or” (siue), and he evidently substitutes “prepare” (parare) for “obey” (parere). More often than one would expect, he leaves other words out altogether. At times his sentences give way to grammatical nonsense. The formula “May your arts fail . . . as Jamnes and Mambres failed” (Deficiant ergo artes tuæ . . . sicut defecerunt Iamnes et Mambres), referring to the names of Phaeroah’s magicians according to a tradition reflected in II Timothy 3:8, is given once in the main block of Clm 489, and twice in later sections of the manuscript, by two different hands (no. 32). But in the main block the point of the allusion is lost and the comparison comes out in utterly garbled form as “May your arts fail . . . so you and members now have ceased” (sic cessauerunt jam vos et membros), while in the other versions the passage begins “Your ears will fail” (Deficient ergo aures tuæ . . . ). The alphabetic stricture would apply to the titles of the books, of course, keeping in mind that the titles of such manuscripts are frequently rather arbitrary and contingent. In the interests of shaking things up a bit and catering to those without ready access to a Latin dictionary, we’d allow that titles could be in either English or All but a few of the experiments fall into three main categories. There are twelve illusionist experiments, designed to make things appear other than as they are—to conjure forth an illusory banquet or castle, to obtain a wondrous means of transportation (usually a demon in the form of a horse) that will carry the magician across land or water, or to make a dead person seem alive or vice versa. Seven psychological experiments are intended to have influence on people’s intellects or wills—to arouse love or hatred, to gain favour at court, to constrain the will of others, or to drive a person mad. Fully seventeen experiments are divinatory techniques for gaining knowledge of future, past, distant or hidden things. Most of these experiments entail catoptromancy, or scrying: the magician’s assistant, usually a young boy, stares at a reflecting surface until he sees figures, taken here to be apparitions of spirits, who can reveal the desired information. As should become clear in the following chapters, these three types of experiment are significantly different from one another: we find an element of playful fantasy in the illusionist experiments, an often violent effort at coercion in the psychological ones, and an insistence on detecting truth and righting wrongs in most of the divinatory ones. Differences in tone and in purpose are accompanied by variations in technique: conjuring spirits is of central importance in most of the experiments, but the magic circle plays its most prominent role in the illusionist rituals, sympathetic magic is more prevalent in the psychological experiments, and scrying is itself the key to most of the divination... Anyone? I’ve gone out and scarfed up a couple of suggestive links on bookbinding and codicology and paleography, one of which has this lovely riddle on how to prepare parchment and vellum: A certain enemy deprived me of life, took my worldly strength; then wet me, dipped me in water; took me out of it again, set me in the sun, where afterwards I lost the hairs I had. Next the hard knife’s edge cut me, polished off impurities, fingers folded, and the bird’s joy sprinkled over me with useful drops, often made a track over the dark rim, swallowed wood-dye, a share of the stream, advanced again on me, journeyed leaving a black track. Afterwards the hero covered me with protective boards, wrapped me in skin, adorned me with gold; truly the splendid works of the smith adorned me, encompassed with wire. And of course there’s more out there, much more. (Excerpts above, by the way, riddle aside, are from Richard Kieckhefer’s Forbidden Rites, a book-length study of Clm 849, a 15th century necromancer’s manual.) So: who wants to play? |
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Anonymous
Posted on March 28, 2005 1:35 PM |
So the first entry is for som Has anything been established about the library in the game? Wealth of Vim texts? Secret stash of Eleanoraen scrolls? Paucity of Terram & an overabundance of mundane fishing texts? |
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Kip Manley
Posted on March 28, 2005 3:13 PM |
Or perhaps Scattered Sequence. Anyway, I rather imagined we'd hash out the specific approach here before getting started. As for the library itself, we do know some of the books, including some stuff poached from Bethelion (and Isrillion). My impression is it ain't huge. If there's 4 players in this game, we'd end up with 104 books by the time we're done, and that would be most of what we've got. (If we group letters—A, B, C, D, EF, GH, IJ, KL, M, NO, P, QR, S, T, U, VWXYZ as a for instance, though we might tweak it for Latin if anyone knows offhand letter frequencies in Latin—we'd end up with fewer books; that, plus not having 4 books that begin with X, is a strong argument in favor of letter groups.) |
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Anonymous
Posted on March 29, 2005 7:03 AM |
I'd definitely prefer scatter A quick google on the question of frequency in latin: e-list post andfrom letter frequencies for various languages |
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CS
Posted on March 29, 2005 6:35 PM |
Follow the phantoms On the other hand, a densely linked network may be less important or desirable for a library write-up. Presumably, links to non-Nimus Animae texts would also be fine, but wouldn't count as phantoms for the purpose of the game. |
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CS
Posted on March 30, 2005 1:38 AM |
What is known about the library Sonata brought with her 18 books: 6 books of Lem (black, red, yellow, green, blue, westmarch), 2 purpurean books: (unread and blank with commentary), 2 books of spells (containing 270 levels of spells), 6 lemmite concordances (texts that aid in studying specific arts from the books of lem) for mentem, intellego, muto, ignem, herbam, animal. Oh, and 2 of the books of Elenor (which aren't in the library, but could definitely use some detailing). Plus an unspecified (but reasonably large) number of non-magical texts (she used to pay visits to the Sophian booksellers on supply expeditions from Argutator Purpureus). Tully brought with him a big chunk of the Acus Doris library (34 magical texts, mostly related to Touccian arts, rego, ignem, terram, animal, but doubtless others as well, nothing definitely specificied an unspecified number of non-magical texts). Giles brought with him Mosley's Compendium of Spririts, an herbam book, a grymoire of useful spells, and one other which I can't remember. Oh, and an elenorean text (duplicate of one of the ones Sonata has). I don't know what magical texts Calvus or Perdyx brought to the covenant. Calvus definitely has non-magical texts concerning Dawnish cultures and magical practices and militry histories. |
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ecboss
Posted on March 30, 2005 7:24 AM |
Well I think I'm in, since I So may be we shouldn't worry about it. |
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Kip Manley
Posted on March 30, 2005 8:57 AM |
Perdix' books-- |
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Kip Manley
Posted on March 30, 2005 9:05 AM |
I like strict alphabetical sequence. Anyway, I'm voting that Emily gets the first turn, since she's already begun. If we're doing Scattered Sequence (it looks like we might, yes?), I'd propose we each announce our intended start letter/group before any first moves are posted. Of course, we'd have to settle on a grouping mechanism. (One crude way of checking start-letter frequencies would be to quickly count the number of pages per letter in a Latin dictionary, which I do not have at hand myself.) |
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Anonymous
Posted on March 30, 2005 10:21 AM |
sequences Hm. Looking over the variants more closely, I think I'd best like nonsequential (we each pick any letter each turn, no predetermined order), with codependence (2nd turn on at least one reference must be to an existing phantom). With emphasis on the rule in nonsequential that says that you can never do a new entry for a letter unless there is no phantom and encouragement to use existing phantoms, Charles, would that fit the bill for you? Would this drive you crazy, Kip? (So the three references after turn 1 would be: one to an existing entry, one to an existing phantom, and another to either of those, or to a new phantom.) |
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Anonymous
Posted on March 30, 2005 10:52 AM |
Yup, it's done. I'll post it Nope, I'm stumped. If they are wiki nodes, it gets an error in the path alias if I put it under a different category. How can we find just our little book nodes easily? |
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Kip Manley
Posted on March 30, 2005 11:18 AM |
I feel so lost. I'm having a hard time seeing the shape of it, I guess. What concerns me is having sequences of tightly interconnected bubbles that have few or no connections between them, rather than a fully if messily interleaved net, which would be the ideal. And it doesn't look like that's a grave concern with this model, but again, I'm muzzy on the math. (I was never very good at Hunt the Wumpus, say.) But more importantly: we'd need a fourth, unless we just want to launch with three. (What does adding new players several moves in do? Hmm.) |
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ecboss
Posted on March 30, 2005 11:48 AM |
Simpler would be fine with me On the letter frequency front, I'd like to have us use the English frequency groupings you suggested, Kip. Then afterwards we can translate them into Latin & get an arbitrary latin distribution that way. |
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Kip Manley
Posted on March 30, 2005 11:59 AM |
I don't think we need letter groups. |
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ecboss
Posted on March 30, 2005 12:12 PM |
Oh, it works. I just had the |
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Barry
Posted on March 30, 2005 2:41 PM |
I don't think we need any letter-related rules at all If we're not going to do scattered sequence, then I say we just use snowball - pardon me, I mean, follow the phantoms - and let the letters lie where they fall. By the way, I'm in. (But please don't expect me to write anything at all in Latin.) Can we have more than 4 players? |
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Matt Schlotte
Posted on March 30, 2005 3:36 PM |
Calvus' library What do you think of that Kip? He definitely owns books on the anthropological findings of Carnifex and other such travelling covenants and perhaps a mundane text on Quintillican practices from a Quintas Opacan point of view. |
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Anonymous
Posted on March 30, 2005 4:45 PM |
I just made a "book" Topic un Hm. I'm not familiar enough with all this. |
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Anonymous
Posted on March 30, 2005 4:53 PM |
Yes! Seems to work. |
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ecboss
Posted on March 30, 2005 5:28 PM |
thanks.. |
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Kip Manley
Posted on March 30, 2005 6:51 PM |
Sure. A lot of magical books—especially personal workbooks—are going to be like this, and end up as weird assemblages with strange titles. |
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Anonymous
Posted on March 30, 2005 7:05 PM |
Well, if we're following the rules... So: to recap:
Make sense? Did I miss anything? We need to do up the letter-groups in some final, agreed-upon form. And yes, sure, more than four indeed. I just picked a likely round number as an example. |
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Anonymous
Posted on March 31, 2005 12:32 AM |
Known Books There are two levels of known books: named books, such as the Unread Book of Westmarch, and unnamed but known books, such as Sonata's concordances (about which we know that they are concordances and which arts they focus on). My thought is that we should populate the library with all of the known titled books as phantoms, and also create a list of all of the known but untitled books. Either when referencing a phantom, or when claiming a phantom, the author can specify that it is a specific one of the known but unnamed books. This will slightly hem in the creator of the phantom, but will help to ensure that we end up matching what we know about the library. Sound viable? Another weird idea: maybe we should shelve the known phantoms, and play simply by shelves. This frees us from coming up with letter groups, but still gives a similar structure to unstructered, rather than follow the phantoms.
On the first round, I might write the entry on the Lemmish concordance on mentem on shelf one, creating links to the first unknown book on shelf three and to the Red Book on Shelf two, and declaring that I will be moving on to shelf three next turn. Kip might write the entry for the Unread Book of Westmarch on shelf two, link to some books on shelf three and seven, and declare that he is writing on shelf one next turn. Next turn, Kip could write any of the unwritten books on shelf one, and I could write the book Kip linked to on shelf three. If a third player had also declared that pe was going to write on shelf three, then we would choose between us which one took the book Kip linked to, and which one took an unlinked book. If, for some reason, a shelf is already fully written and you haven't been to it yet, then you can add a new book to the shelf when you take your turn on the shelf. I'm not sure whether books should be shelved by subject, size, or binding color. Subject would be interesting, since it would help to ensure that every subject gets written about by every player (so everyone would need to write a Book of Lem entry), but that will happen to some degree anyway, since books of the same subject will probably tend to reference other books of the same subject, thereby ruling out the author of one entry from writing another (e.g. if the Unread Book of Lem entry references the Red Book of Westmarch, then the author of the Unread Book entry can't write the Westmarch entry). We should probably start out with the same number of books per shelf as we have players. If we end up picking up additional players, then we can simply add extra unknown books to some of the shelves. |
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Anonymous
Posted on March 31, 2005 6:23 AM |
They can be shelved here. |
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CS
Posted on March 31, 2005 6:38 AM |
Just added the first official phantom book |
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Anonymous
Posted on March 31, 2005 2:05 PM |
Since the earlier thread is squished up against the margin. There's 86 specific book slots noted above:
and 62 unspecified books, covering (among other things) Touccian magic, military magic, and rego, ignem, terram, and animal. Note that the specific numbers above are minimums: we almost certainly have more than 5 spell books (as such), but we need to spec at least 5 to account for what's been designated. Shelves by subject: I'd want to stay away from speccing out books just by the five and ten: we'd end up with the same strictures of the Ars Magica system that we're trying to blur, mess up, and sidle away from. I mean, yes, we do have some works up there that are specific to this element or that essence, but let's not make that the overall organizing principle. We'd want, maybe, I don't know:
I'm just throwing things up to see what sticks. This is hardly a definitive list. Please, help! —Anyway: it might seem that Sonata's 14 Lemmish books all need to be filed under Theory, Lemmish, thereby weighting our overall library rather heavily in that direction, but note that her 6 concordances could be either filed under Theory, Lemmish or under Summæ. Now, we might want a library that for consistency's sake filed all Lemmish concordances on the same shelf, but the game is bound to get expedient, and we'll probably want our apprentices to reorganize when we're done. Also note that a lot of magi are going to produce monographs and essays as well as honkin' huge books, and these smaller pieces might be encountered by themselves, bound together with other essays and monographs on the same topic by a mage who wanted them all in one place for easy reading, creating a book that others want to copy (making a scattershot summa or concordance or practicum, perhaps); or maybe bound with other essays and monographs by the same mage (theory of one sort or another); or stuck between a recipe for Vindex' favorite punch and a list of Tyrulean gestural insults to incorporate in perdo spells (a compendium or argosy). If we do group by shelf, we'll want to have several shelves for each topic, and weight them accordingly, I think: 2 or 3 shelves of compendia; a shelf each at least for each theory subset, though some get 2 or more; so forth and so on. |
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CS
Posted on March 31, 2005 3:34 PM |
Shelving This would help with the fact that at the moment we don't know if we have any Amicitian theory texts, so we don't know how much space to set up for them. Maybe it will turn out that that shelf of completely undeclared books is all Amicitian theory, or maybe it will turn out that we have no Amicitian theory at all. In fact, it also helps with the fact that we don't know how the 62 unspecified works divy up by type (do we have a lot of summae or very few? Only time will tell). I think your categories look good as a guiding principle, although I think maybe we should shelve theory in a jumble, rather than splitting it out by shelves. And the concordances could get shelved under concordances (as opposed to Lemmish theory or summae). By the way, by specifiying their arts, I don't necessarily mean that they are specifically about, say, mentem in the Red Book, just that the topic of the book relates to mentem in some way (so, perhaps it is actually a concordence of references to dreams in the Red Book). |
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Anonymous
Posted on March 31, 2005 4:09 PM |
Types and cites. So we each have to write a certain number of entries for each shelf, or we have a certain number of shelves for each type, and we each have to write a book on each shelf. Okay. And we need to specify what shelf-type we intend to write next when we post each entry. So if we specify the type of book it is in the cite—either unambiguously in context, or with some sort of metadata attached to the post (heh)—then it's clear when it comes time for me to write an entry whether there are any phantoms on the shelf-type I'm about to write. If we don't specify the type of book it is in the cite—whether it seems unambiguously clear in context or not—then it must be assumed that one of the available phantoms must be on the shelf-type I'm about to write, and by golly, it's my task to figure out which title is the best fit for the shelf and come up with the best description to make it seem entirely plausible that Cameron might have absently stuck it on that shelf while dusting, sure. Either way could be fun. Hmm. |
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Matt Schlotte
Posted on March 31, 2005 4:10 PM |
Those other forms |
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CS
Posted on March 31, 2005 4:38 PM |
Cite by name and shelf |
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Kip Manley
Posted on March 31, 2005 5:05 PM |
D'oh. Now we just need a number of shelves. 86 known slots divided by 5 possible players equals 17.2, or 18 turns; 18 turns times 5 possible players equals 90 total books described. So. 18 shelves? We have four players now that I know of: me, Charles, Emily, and Barry. Do I hear five? More? |
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CS
Posted on March 31, 2005 5:07 PM |
A problem with subject shelving Barry suggests we go with shelving by color (which is to say, random and arbitrary shelving of the known books). The other possibility would be to remove the rule that books can't cite other books on the same shelf. I'm not sure what effect this would have. That cites must be to future letters only seems definitely relevant in the standard game, but I may be missing its effects. Lets see. I write a book and cite phantoms on other shelves. When I get to one of those shelves, my choice of books is reduced by the number of cites I've already created on that shelf. If I write a book and cite phantoms on the same shelf, then I never write on that shelf again, so those phantoms never constrain my options. I'm not sure how it matters. One other effect of shelving by subject, though, is that if Lemmite texts take up 2 shelves, we each will end up writing 2 Lemmite texts (and no more). If Lemmite texts are all over the library, then it would be possible for one person to write nearly all the Lemmite texts if no one else was interested in writing Lemmite texts. Even if I cite 2 new Lemmite texts each time I do a Lemmite entry, I can do 4 texts before I have cited all the other entries and can't write any more Lemmite texts. If I wrote them so they never cited Lemmite texts at all, I could write all of the Lemmite texts. I think the design in which it is possible for one person to do a large chunk of a particular type of work (if that is what they are interested in) is the better design, but I can see arguments in the opposite direction. |
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Anonymous
Posted on March 31, 2005 5:36 PM |
I'd prefer the arbitrary shel I may need some coaching with respect to the various theory categories, but then that just means that there's a golden opportunity for those entries to get written for the wiki. Or at least, the freedom to write entries & then get suggestions about which theory group the book would likely fit, and nudge it in there. That's sure to blur some boundaries! |
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Anonymous
Posted on March 31, 2005 5:56 PM |
Since it would be good for th |
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CS
Posted on March 31, 2005 6:39 PM |
The unread book I've always imagined it being Red, so that it is indistinguishable from the Red Book until you open it. The blank book is specified as being like the black book, except blank. There is a definite need for background entries, and I think that it will be a beneficial effect of the Lexicon game that some of those entries will get written. I think that it should definitely be a rule that each book entry can reference an unlimited number of non-Lexicon wiki entries, but that the non-Lexicon entries referenced can't be left completely phantom. So if I write up an Amicitian theory text, I would need to create the wiki entry for Amicitianism to link to from my entry on the text. |
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Kip Manley
Posted on March 31, 2005 7:03 PM |
I don't think that pun works in Cholæic. But yeah: the other plus is going to be filling in biographical entries for authors as well as magi mentioned. |
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Anonymous
Posted on March 31, 2005 7:11 PM |
Utterly arbitrary, perhaps— Just as a reminder: two of those shelves will be in Perdix' trunk. And: the personæ I'm contemplating would be librarians at Bethelion and Annalum and Antrum. So: they're either describing the specific book before it was dragged to Nimas Animæ, or if it's a popular or well-known book, they're describing another copy of it. The personæ could be rough contemporaries, or some years earlier, and it'll be fun when we're done to figure out who at Annalum or Antrum or Bethelion they must be. (I think that's better and healthier, as it were, than personæ at some point in the future, reviewing stuff that's already happened.) |
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CS
Posted on March 31, 2005 10:43 PM |
In latin, no. In Choleic ... Yeah, filling in authors will also be nifty. |
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CS
Posted on March 31, 2005 10:44 PM |
Sources of commentators I agree on the librarians being current or past. We should probably establish which is which if it is a mix. One problem with not playing current librarians would be that some of the books are quite recent vintage. A problem with playing a mix of periods would be that some of us would be able to comment on other's citations, while others couldn't. Also, we should assume that the librarians, where ever they may be, all correspond with each other (if they are concurrent), so that they can reference each other's opinions on works. Oh, also, how do we want to handle the two/three Elenorean texts? I would love to have entries for them, but nobody besides Sonata, Giles, Gratuitus, Tydfal, Neque and Stagnum Ranarum have actually seen them (okay, the list is starting to get really long), and Neque and Stagnum haven't seen Giles' volume. I suppose one way would be for the librarians to quote at length descriptions of the originals, now presumed lost. |
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Anonymous
Posted on April 1, 2005 7:45 AM |
I know mine is from Annalum. For the Eleanorean text, let them be commentary written by the scholars we're posing. We can presume that their comments were researched by one of those in the know. |
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ecboss
Posted on April 1, 2005 11:37 AM |
If we're fairly settled, mayb If more people want to join they will have until the end of the first turn to do so. And, you know, I'm sure we could weave them in, if need be, later. |
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ecboss
Posted on April 1, 2005 11:44 AM |
Shelves 17 & 18 are in Perdix |
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Kip Manley
Posted on April 1, 2005 12:45 PM |
We need some agreement to the rules. |
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Kip Manley
Posted on April 1, 2005 1:19 PM |
More lexicon links. Or at least one more lexicon link. |
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Anonymous
Posted on April 1, 2005 1:55 PM |
What do we agree on so far? What we're figuring out: Anything I forgot? Thoughts? |
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CS
Posted on April 1, 2005 2:58 PM |
My preferences Posting schedule: same day. that way, if someone is running late, they simply post later (and conceivably even end up missing a turn) rather than there being a question of whether the next person in line is supposed to wait until they post. Signing: I think that we should agree that we are each writing as a single librarian, and should specify where we are (so that we can reference each other directly if we want: "While the esteemed Annalum librarian considers this a minor work, it is this librarian's opinion that she has entirely missed the nuances and hidden meanings that make this one of the most daring and original works on the nature of metal ever written."), but that we don't need to specify which mage we are at this time (unless we want to). The other question is period: my preference would be that we are all current day magical librarians, writing contemporaneously, so that we have full knowledge of events, and are able to fully interact. Also, I think we should allow extensive quoting of "historical sources", so that we can include non-current day entries (so that we can handle the Elenorean texts), but that they should have at least a little current day author framing of the quotes. |
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Barry
Posted on April 1, 2005 3:51 PM |
The site is going to go down tomorrow... |
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CS
Posted on April 1, 2005 4:15 PM |
Rules What do people think of my proposed rules? |
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Anonymous
Posted on April 1, 2005 4:16 PM |
They're fine. I'll be out of touch until Monday. |
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Kip Manley
Posted on April 1, 2005 6:28 PM |
Some addenda: Fully arbitrary? Or specify your next shelf when you post an entry? "Current day magical librarians, writing contemporaneously, so that we have full knowledge of events, and are able to fully interact." I agree whole-heatedly. I think I'll take on a crank librarian at Antrum. (Keeping in mind that our personæ could be auxiliary Cristofereans, and thus not listed at all.) And we need to seed the shelves with all of the various specced phantoms. |
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CS
Posted on April 1, 2005 7:03 PM |
Lemmite and Aegidian procopians as well. I'm taking a Circulan Lemmite librarian, who I'm pretty sure is a mage (but possibly not). |
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CS
Posted on April 1, 2005 7:06 PM |
Further rules thoughts, effect of known sequence of shelves: Actually, sequential with non-matched starting points might be interesting, since it allows the players to know how soon a particular phantom will get filled in. If you create a phantom, and you want to up the chances that it gets written soon, or that it gets written by a particular player, then you shelve it on a shelve that particular player will be working on soon. On the other hand, non-sequential does allow more freedom for players to decide that a particular phantom strikes their fancy this week, which is probably a good thing. Preferences? |
| #52 | |
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Kip Manley
Posted on April 1, 2005 7:06 PM |
Oh, right. |
| #53 | |
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Kip Manley
Posted on April 1, 2005 7:09 PM |
Leaning. Oh, I'm just terribly decisive today. |
| #54 | |
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CS
Posted on April 1, 2005 7:29 PM |
Lets make Barry decide I'm leaning non-sequential as well. We shouldn't run into collisions (unless we add players) assuming we are keeping the rule that you only write on each shelf once (which I think we should). |
| #55 | |
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ecboss
Posted on April 12, 2005 11:32 AM |
So by sequential & non-sequen And if non-sequential, then we'd "call" the shelf we'd post to next. I like that. Makes the placement of phantoms more strategic. |
| #56 | |
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Kip Manley
Posted on April 12, 2005 11:46 AM |
Getting ready to begin. And then I should maybe figure out what my first move is going to be. Any objections, comments, recriminations, brickbats, or resignations before we begin? |
| #57 | |
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Kip Manley
Posted on April 12, 2005 11:49 AM |
I believe... So you maybe start with shelf 6, while I start with shelf 13. Turn two, you're on 7, while I'm on 14. And we keep on keepin' on around and back again till you've written for shelf 5 and I've written for shelf 12. Right? |
| #58 | |
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Kip Manley
Posted on April 12, 2005 4:32 PM |
Quick question: I mean, I can stick 'em in by hand myself. I just wanted to know for sure before I started tinkering. |
| #59 | |
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CS
Posted on April 12, 2005 11:22 PM |
No automagic I started creating categories: which I think will also be a useful way of organizing the books, but I don't think it substitutes for the table (no meta-data, and no easy way to represent unspecified books). |
| #60 | |
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Barry
Posted on April 13, 2005 12:52 AM |
I've changed my mind. So no order of shelves, and no need to "call" a shelf ahead of time. Maybe instead of all posting at once, however, we should each pick a different day of the week on which we'd post. So there'd be a playing order - I'd always be Tuesday, Em would always be Thursday, or whatever - but not a shelf order. |
| #61 | |
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CS
Posted on April 13, 2005 2:35 AM |
Arbitrary good So the only remaining function of the shelves is that we can't return to them? Once I write a book on shelf seven, I can't write another book on shelf seven? Or do we want to even keep that? It still has the tactical aspect: "Well, if I file this book on shelf seven, then Emily will have to write it, since everyone else has already been to shelf seven." Ah freeformers, never a rule they actually like... I do like the idea of pushing another specific person to write a book entry by making in character reference to that other player's character's interest in that work: "The codex of Wendell's fugitive arts, on which the esteemed Annallum scribe has written so beautifully," linking to an as yet unwritten book. Anyone can write the entry, although if it weren't the Annalum scribe writing, they might respond to the imagined Annalum scribe's analysis. It is a much more intriguing method than simply shelving it on the shelf they are about to work on. |
| #62 | |
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ecboss
Posted on April 13, 2005 7:15 AM |
I'm down with all that. I just realized I didn't need to dibs the black book to cite--apparently it's verboten to cite your own work or fill out a phantom you made up, but there can be multiple citations to books & phantoms. Dibsing is only really needed on a given phantom for a full write up, that way we don't get reduplications. All we need now is our rules written up all in one place. I say we set a tentative start date next week, Tuesday work for all? |
| #63 | |
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CS
Posted on April 19, 2005 5:35 AM |
First book of first turn Enjoy. |
| #64 | |
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ecboss
Posted on April 19, 2005 12:02 PM |
Shelf links? |
| #65 | |
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CS
Posted on April 19, 2005 1:26 PM |
shelf links = url alias Is that what you were refering to? |
| #66 | |
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ecboss
Posted on April 19, 2005 2:34 PM |
yes, thanks. |
| #67 | |
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SK
Posted on April 19, 2005 6:59 PM |
No Spaces |
| #68 | |
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Kip Manley
Posted on April 20, 2005 8:47 AM |
We're currently at four players, right? I'll call 6e for next week, unless Barry, Emily, or Charles would rather claim it. |
| #69 | |
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ecboss
Posted on April 20, 2005 12:38 PM |
5b |
| #70 | |
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ecboss
Posted on June 10, 2005 3:48 PM |
summer takes its toll |
| #71 | |
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cs
Posted on June 10, 2005 7:34 PM |
Yea! everybody has a book in Shall we try for a book each, next week? I'll take Lucerna et tintinnabulum, suspicious psuedo-Elenoreanism if we are to believe Iohannes Monachus. |
| #72 | |
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cs
Posted on June 10, 2005 7:35 PM |
Black Book of Lem |
| #73 | |
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Kip Manley
Posted on June 11, 2005 12:38 PM |
Lucerna et tintinnabulum? I’m eager to see what results, since I was cribbing something very specific, and now I want to see where it ends up instead.
Me, I’ll bag the Unread Book of Westmarch. |
| #74 | |
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cs
Posted on June 17, 2005 2:26 AM |
And still no book |
| #75 | |
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Kip Manley
Posted on June 17, 2005 6:04 AM |
I’m working on it— |
| #76 | |
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ecboss
Posted on June 18, 2005 9:10 AM |
I may wait another week then. Plus, I'll be away & busy most of next week, so it won't be a good time to write. If y'all catch up, maybe we can be back on track for the following. Then I'll be in your midst again! Yay! |
| #77 | |
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cs
Posted on June 18, 2005 3:42 PM |
busy busy busy no book |
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